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Cover to cover: Michel Vrana on designing Blind Spot

 

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4. The design brief specifically mentioned a wrecked car, and that’s where this direction came from. This image of the overturned car has a still, quiet, almost mundane look to it. It presents destruction without being morbid or sensational. I wanted the car to be visible, but screened back (again playing off the word “blind”). The railway crossing title treatment felt just right for this approach.