Elegy for Opportunity has that unwilling-to-be-embarrassed, declarative quality many debuts possess, an earnestness that hasn’t been spoiled by over-crafting or listening too closely to the demands of CanLit. It’s a (presumably?) millennial poet’s first urgent ... Read More »
Shannon Webb-Campbell’s latest poetry collection, Re:Wild Her, is inhabited by an otherworldly narrator – part mystic, part pagan, part cool auntie, part It girl, all the way feminist goddess. The dedication itself indicates the ... Read More »
Dante Alighieri’s 14th-century narrative poem The Inferno has been praised and loved, adapted and parodied in countless translations over the centuries. For two decades, Jamaican-Canadian poet Lorna Goodison engaged with the cantos of this epic ... Read More »
Manahil Bandukwala’s second collection of poems, Heliotropia, shares its name with a unisex perfume by Swedish luxury brand Byredo. Like the scent’s floral note of jasmine, a flower that opens at night, the works in ... Read More »
Annick MacAskill’s Votive, the anticipated follow-up to her 2022 Governor General’s Award–winning collection Shadow Blight, combines themes of intimacy, privacy, eros, and queerness, while the transgressive and the religious infuse this collection. Of course, votive ... Read More »
When I begin reading Zoe Whittall’s No Credit River, I am on a train. I usually read on the train. As I lean in to highlight certain lines – the pages rest on the foldable ... Read More »
November 6, 2024 | Filed under: Memoir & Biography, Poetry, Reviews
“Colonialism is an absence that widens,” writes celebrated poet Marilyn Dumont in “misāskwatо̄mina,” the first poem of her new collection, South Side of a Kinless River. The collection, divided into three sections, opens with a ... Read More »
October 16, 2024 | Filed under: Indigenous Peoples, Poetry, Reviews
Bringing spoken word poetry to the page has historically been seen as controversial, since academia has tended to dictate the ways that poetry can be received and read, and spoken word consistently continues to challenge ... Read More »
“The most interesting part of architecture is the non-functioning,” writes Cassidy McFadzean in “Pier Evil,” one of the poems in her third collection. In a later poem, McFadzean clarifies this observation: “Fluting’s the only feature ... Read More »
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