In the Upper Country follows Lensinda Martin as she finds a home among a community of formerly enslaved refugees living in southwestern Ontario during the mid-1800s.

In the Upper Country follows Lensinda Martin as she finds a home among a community of formerly enslaved refugees living in southwestern Ontario during the mid-1800s.
We, the Others: Allophones, Immigrants and Belonging in Canada (Linda Leith Publishing) chronicles Drimonis’s own family history and delves into the discrimination faced by Italians, Jews, Cambodians, Vietnamese, Sudanese and Syrians in the province.
A joint event put on by the Toronto International Festival of Authors (TIFA) and the Festival of the Peripheries (FLUP) in Rio de Janeiro, Brazil, is commemorated in an anthology published by Kegedonce Press.
“I’m interested in the comparison between what we consider a performative art and what we consider a creative one, and the point at which they might overlap.”
In Heroin: An Illustrated History, scholar and activist Susan Boyd wanted to tell the story not only of how heroin went from prescribed drug to illegal substance, but also of the harm-reduction activists and heroin users who have mounted a sustained resistance to prohibition and called attention to the continued overdose crisis.
When he set off in 2019 for an artist’s residency in Prince Rupert, B.C., Jon Claytor packed his paints and canvases, but he soon found himself scribbling line drawings on his tablet to record his cross-country travels. Those collected reflections became Take the Long Way Home, published this month by Conundrum Press.
Sing in the Spring! is arranged in poetic vignettes that celebrate the sounds, sights, smells, and textures of spring, all punctuated by delightful quilt illustrations.
Consuming the stories of the Panchatantra as a child allowed me to understand the socio-cultural ecosystem I was growing up in.
“With writing, there’s nothing to begin with,” Powning says. “With photography, you go behind the camera and the image is there.”