Terese Mason Pierre imagines the book launch of the future in this original short story.
The Future of Publishing: “On Cyborgs & Books Part IV: Editorial Meeting Exclusive,” a short story by Dominik Parisien
Dominik Parisien imagines the editorial meeting of the future in this original short story.
Chelene Knight launches author-care service, Breathing Space Creative
Chelene Knight’s Breathing Space Creative is a service-based consultancy that helps publishers, festival organizers, and other literary organizations to better support the needs of their authors.
Alberta’s Blindman Brewing offers micro-fiction on their beer cans
Diversity in crime writing: Wayne Arthurson on how white voices overwhelm Indigenous crime fiction
Wayne Arthurson writes about how in Indigenous crime fiction, a.k.a. Native American mystery, most of the novelists who reap the benefits aren’t Indigenous.
Harold R. Johnson on mixing memoir, fantasy, and non-fiction to engage in conversation with a deceased brother
In honouring Clifford, I wanted to emphasize his brilliance, his philosophy, and his refusal to accept dogma.
Q&A: Canisia Lubrin speaks to Dionne Brand about her two new books, The Blue Clerk and Theory
Dionne Brand, one of the country’s most respected and beloved writers, returns this fall with two books: The Blue Clerk and Theory.
Sarah Weinman unveils the true story behind Vladimir Nabokov’s infamous 20th-century classic
Sarah Weinman was all of 16 years old the first time she read Lolita.
Tanis MacDonald: surviving as an “out-of-line” artist in a smaller community
Do you live in a major urban centre? Take this short test. You are giving a reading from your latest book at your local bookstore, and you invite a friend who lives an hour’s travel away. If your friend says instantly, “Awesome, I’ll be there,” chances are you live in a Big City. If your friend says, “What? Come all that way? On the highway?” then you probably live in a smaller city or town and belong to a group I call “out-of-line” artists.
“Jaw-dropping” setting for crime-writing workshop on B.C.’s Pender Island
At the inaugural Crime Writing on Pender weekend workshop, running Oct. 12 – 14, up to 12 strangers will gather on B.C.’s Pender Island in a secluded inn built atop a 200-foot cliff, where Arthur Ellis Award–winning crime writer William Deverall will coach them in plotting sinister (fictional) deeds.
Contact us via email